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・ Jean-Antoine Chaptal
・ Jean-Antoine Constantin
・ Jean-Antoine d'Aubermont
・ Jean-Antoine de Baïf
・ Jean-Antoine de Mesmes
・ Jean-Antoine du Cerceau
・ Jean-Antoine Dubois
・ Jean-Antoine Gleizes
・ Jean-Antoine Houdon
・ Jean-Antoine Louis du Bas-Rhin
・ Jean-Antoine Lépine
・ Jean-Antoine Marbot
・ Jean-Antoine Morand
・ Jean-Antoine Nollet
・ Jean-Antoine Panet
Jean-Antoine Petipa
・ Jean-Antoine Roucher
・ Jean-Antoine Verdier
・ Jean-Antoine Watteau
・ Jean-Antoine-Marie Monperlier
・ Jean-Antoine-Siméon Fort
・ Jean-Antoine-Théodore Giroust
・ Jean-Armand de Bessuéjouls Roquelaure
・ Jean-Armand de Joyeuse, Marquis de Grandpré
・ Jean-Armel Kana-Biyik
・ Jean-Arnold de Clermont
・ Jean-Athanase Sicard
・ Jean-Auguste Barre
・ Jean-Auguste-Dominique Ingres
・ Jean-Augustin Barral


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Jean-Antoine Petipa : ウィキペディア英語版
Jean-Antoine Petipa

Jean-Antoine-Nicolas Petipa (16 February 1787, Paris – 28 July 1855, Saint Petersburg) was a French ballet dancer and the father of Marius Petipa.
==Life==
Aged 8 he was in the revived production of the ballet ''Psyché'' by Pierre Gardel, put on at the Opéra de Paris five years earlier. His débuts are only known from the programme of ballets and in a petition addressed by his father to the minister of the interior in 1799 with a view to obtaining one year's leave for his children, who were studying at the Opéra's dance school. Shortly afterwards young Petipa was enrolled in the troupe of Filippo Taglioni which criss-crossed Europe from 1807 after the closure of many Parisian theatres by imperial decree. The troupe set up a base in Kassel from 1810 to 1812 but left this city when France invaded Prussia on the eve of the invasion of Russia. It then went to look for other engagements, staying in Vienna and Naples.
Petipa was then taken on as a ballet master at Lyon for the 1813/14 season. He then hosted the Swedish prince Bernadotte and the troupe the prince had formed, then headed the ballet at the Théâtre-Français in Hamburg several times. In January 1814 Petipa and his troupe put on a series of productions at Brussels, then moved to Paris on the reopening of the Théâtre de la Porte Saint-Martin. Premier danseur in the new troupe, Antoine Petipa began creating ballets such as ''Les Six ingénus'' (music by Alexandre Piccinni) and ''Le Berger de la Sierra Morena'' (1815).
Taken on as ballet master at the Théâtre de Marseille, Petipa had his eldest son Lucien in 1815 and Marius in 1818. In 1819, Petipa was recalled to Brussels as ballet master at the Théâtre de la Monnaie, remaining there until 1831. Summoned to Lyon, Marseille and Bordeaux, Petipa returned to Brussels between 1833 and 1835 before moving to Bordeaux, where Lucien became premier danseur. The family then embarked for the United States of America in 1839, where they had a triumphal tour. On their return to Brussels between 1841 and 1843, Petipa put on new ballets there. In 1847 Petipa and his son Marius set up home in Saint Petersburg, where the father became professor to the Imperial School of Dance and the son began the brilliant career that would lead to his international renown.
Among his Russian disciples: Lev Ivanov, Pavel Gerdt, Timofey Stukolkin etc.

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